Posts by ctio
File Systems and the Cloud for Digital Archival of Motion Picture Assets
1. Introduction Motion picture productions generate vast amounts of digital data. To provide a sense of scale, imagine a motion…
Read MoreDigital Storage Considerations and Devices for Archiving Motion Picture Assets
1. Introduction Motion picture productions generate vast amounts of digital data. This data can be in the form of text,…
Read MoreUnderstanding the forgotten world of analog film sound workflow to improve sound preservation and restoration
It will be hard to forget how analog film sound technologies and techniques influenced our modern sound postproduction workflow after…
Read MoreThe Legacy of Chace Audio: An Archivist’s Perspective
By Alejandra Espasande Bouza Dedicated to the unsung heroes of audio preservation and restoration Film preparation work bench with brittle…
Read MoreFilmmaker Perspective: Debra Granik
Director Debra Granik and cinematographer Michael McDonough discuss the evolution of digital filmmaking reflected in their twenty-year collaboration.
Read MoreWhy Well-Transferred Magnetic Masters Still Sound Wrong
Featured image taken from The Miracle of Todd-AO, 1958 Why do well-transferred magnetic sound recording masters still sometimes sound “wrong”…
Read MorePractical Cloud Archive
The ETC’s Archive Working Group has released a new white paper, Practical Cloud Archive, an exploration of digital asset preservation challenges.
Read MoreDigital Preservation and the Consumer
A number of questions arise out of the need for digital preservation to maintain its relevance in today’s file-based, fast-paced environment as the entertainment industry seeks to continue supporting the delivery of digital content to clients and customers.
Read MoreData Storage Media and Digital Preservation: Today and The Future
Andrea Kalas sits down with Digital Bedrock CEO Linda Tadic to discuss potential solutions to a looming digital preservation calamity.
Read MoreMoving Images as Supertexts
Sam Gustman, Chief Technology Officer of USC’s Shoah Foundation, discusses the many lessons he has learned in the digital preservation space.
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